Writer and art critic John Grande's reviews and feature articles have been published extensively in Artforum, Vice Versa, Sculpture, Art Papers, British Journal of Photography, La revue Espace, Public Art Review, Landscape Architecture, Fifth Season Magazine, ECOARTNET, Ceramics Monthly, Etc, Fiberarts, Art On Paper, Vie des Arts and Circa (Ireland). Upcoming projects include curating an international Earth Art sculpture show at the Royal Botanical Gardens Sculpture in Ontario and an International Sculpture symposium titled Culture Sculpture Sculpture symposium at Sackville, New Brunswick, international culture capital of Canada for 2008. As well new books to be released in 2008 include Art Allsorts; writing on Contemporary Art, and an edition titled Stonehenge & Avesbury with some words by John Grande and Block Prints by Arnold Shives. The author of Balance: Art and Nature (Black Rose Books, 2004), Intertwining: Landscape, Technology, Issues, Artists (Black Rose Books, 1998), Jouer avec le feu: Armand Vaillancourt: Sculpteur engagé (Montreal: Lanctot, 2001), and Art Nature Dialogues (SUNY Press, New York, 2004), John Grande has co-authored Nils-Udo: Art with Nature (Wienand Verlag / Ludwig Forum, Koln, Germany 2000), Le Mouvment Intuitif; Patrick Dougherty and Adrian Maryniak (Atelier 340, Bruxelles); Nature the End of Art: Alan Sonfist Landscapes (2004). Mr. Grande is a Contributing Editor to Sculpture (USA) and Art Papers (Atlanta) and English section Editor for Vie des Arts Magazine. His poetry has been published in Revue des animaux and Vice versa Magazine. John Grande has published numerous catalogue essays on selected artists and has taught art history at Bishops University. PRESS "UP"TO GO BACK TO:John Grande's interview with NILS-UDO (From "ART NATURE DIALOGUES"/2004) |